《中国品牌艺术名片》——访著名书法家巫师传

2019-05-15 10:08:17 来源：中国金融商报网

艺术名家：巫师传

出生年月：1945年10月

籍贯：广东惠阳人

职务：中国书法家协会会员，深圳市书法家协会创始人之一，中国民族建筑研究会书画艺术专业委员会委员，历任深圳市书协一至四届理事、副秘书长、主席团成员。现受聘为深圳书画艺术学院教授。

Famous Artist: Biography of Wizards

Year of birth: October 1945

Origin: Huiyang people, Guangdong

Duties: Member of China Calligrapher Association, one of the founders of Shenzhen Calligrapher Association, member of the Calligraphy and Painting Arts Committee of China National Architecture Research Association, successive member of the first to fourth sessions of Shenzhen Calligrapher Association, Deputy Secretary-General and Bureau. He is currently employed as a professor of Shenzhen Academy of Calligraphy and Painting Arts.

作品1

个人简历：巫师传，字山竹，号桔塱山人，别署吉庐。幼承家学，师从岭南麦华三先生，主攻行草。

2006年出版《吉庐诗联墨迹》；

2011年出版《幽兰赋》长卷；

2016年出版《巫师传诗词书法集》。

Personal Resume: Biography of Wizard, Zishan Bamboo, Number Orange Mountain Man, Other Department Jilu. Young Chengjiaxue, Mr. Mai Huasan from Lingnan, specializes in grassland.

In 2006, Jilu Poems and Inks was published.

In 2011, the long volume of Youlan Fu was published.

In 2016, he published The Collection of Poetry and Calligraphy by Wizards.

作品2

获奖情况：1990年、1995年连续两届获“深圳大鹏文学奖”书法奖；

1997年获“广东省书法篆刻赛”铜奖；

参展情况：2001年在深圳举办个展；

2007年在惠阳区举办个展；

2016年在惠州市、惠阳区举办个展（巡展）。

Awards: In 1990 and 1995, he was awarded the "Shenzhen Dapeng Literature Award" for calligraphy for two consecutive sessions.

In 1997, he won the bronze prize of Guangdong Calligraphy Seal Carving Competition.

Participation: In 2001, a solo exhibition was held in Shenzhen.

In 2007, a solo exhibition was held in Huiyang District.

In 2016, a solo exhibition (tour exhibition) was held in Huizhou City and Huiyang District.

作品3

乙酉年，属鸡。“饭香时节午鸡啼”。铁炉峰下的桔塱山村，一个婴儿呱呱坠地。巫老先生喜不自禁，为孙儿起名“师传”。“师者，传道受业解惑也”。客家人尊师重道，孙儿日后若能为人师，实在是巫家之幸。

家学渊源，秉承祖训，巫师传自幼便涉猎古典文学。在那激情燃烧的年代，巫师传不负祖望，走向讲坛。十多年的教学生涯，为他研习古典诗词和古代名家书法创造了条件。他利用教学空余，从唐楷入手，打下良好的楷书基础，进而临习王羲之“快雪时晴”、“魏太尉钟繇千字文”和王献之“十三行”等名帖。寒来暑往，在当地已是小有名气的书法爱好者。

一九八0年，巫师传定居深圳，在教育学院工作。几经周折，由人引荐，终得面见享誉书坛的岭南书派代表人物麦华三先生，两人因同习“二王”而一见如故。在探视麦老先生的病榻前，巫师传正式拜师，成为麦华三的弟子。

In Younian, it belongs to chicken. "Chicken crows at lunchtime". A baby croaks to the ground in the village of Julong Mountain under Tiefu Peak. Mr. Wulao couldn't help but name his grandson Shizhuan. "Teachers, preachers and professionals to solve doubts. The Hakka people respect their teachers and respect their ways. If their grandchildren can be teachers in the future, they will be lucky to be wizards.

Family origin, adhering to ancestral precepts, wizards have been involved in classical literature since childhood. In that passionate age, the wizard lived up to his ancestors'expectations and went to the pulpit. More than ten years of teaching career has created conditions for him to study classical poetry and ancient famous calligraphy. He made use of his spare time in teaching and laid a good foundation for regular script from Tang Kai. Then he went on to learn Wang Xizhi's famous posts such as "Snowy and Clear", "Wei Taiwei's Zhongxi's Thousand-Character Text" and Wang Xianzhi's "Thirteen Lines". Cold and summer exchanges, in the local has been a small well-known calligraphy enthusiasts.

In 1980, the sorcerer settled in Shenzhen and worked in the College of Education. After many setbacks and being recommended by others, we finally met Mr. Mai Huasan, a representative of Lingnan School of Calligraphy, who is well-known in the world of calligraphy. They met at first sight because they were learning "Two Kings" together. Before visiting Mr. Mai Lao's bed, the sorcerer passed on his official worship and became a disciple of Mr. Mai Hua-san.

作品4

后来，勤奋好学的巫师传决心在融合麦华三书法艺术的基础上，博采众长，转而临写魏碑，并云游四海，足迹遍及西安碑林、河南开封、山东曲埠等书家云集之地，以书会友，切磋交流，致使他的书法日臻成熟，渐渐形成自己的独特风格。他以行草见长，擅用长锋柔毫，饱濡浓墨，凝神聚气，一气呵成。他的大字有一股雄强劲健的丈夫气，小字充满清新飘逸的书卷气，在许多书法大赛中获奖，成为名副其实的书法家。

Later, the diligent and eager wizard biography decided to integrate the three calligraphic arts of Maihua, to learn from others, and then to write Wei tablets, and travel around the world. His footprints spread all over Xi'an Stele Forest, Kaifeng, Henan, Qubu, Shandong and other places where calligraphers gathered and exchanged with each other. As a result, his calligraphy matured day by day and gradually formed his own unique style. He is good at grassland, good at using the soft edge, full of ink, cohesion, one breath. His big character has a strong husbandliness, small character is full of fresh and elegant scroll spirit, won prizes in many calligraphy competitions, and became a true calligrapher.

作品5

师传喜游历，祖国的名山大川为他提供很好的创作素材，他写下不少诗联佳句：《参观爱晖历史陈列馆》“条约不平民族恨，残碑古树铁铮铮”；《游泰国芭堤雅》“佛光昭寺影，象迹踏椰风”;《重游桂林》“桂桨漓江月，林岩芦笛风”;《游黄山遇雪》“松解迎陪送，峰增险幻雄”；《故乡行》故地重游双泪热，家山一别十年疏”；《重游广西龙胜》“吊脚楼依山半筑，无名果傍屋边栽”等等，均为行内人颔首称道之作。

Shi Chuanxi travels happily, and the famous mountains and rivers of his motherland provide him with good materials for his creation. He wrote many good couplets of poems: "Visiting Aihui History Exhibition Hall", "Treaties Unfair National Hatred, Remaining Steles of Ancient Trees" and "Touring Pattaya in Thailand", "Shadows of Buddha Guangzhao Temple, Signs Stepping on Coconut Wind", "Re Touring Guilin", "Guiyao Lijiang Moon, Lin Yanlu Wind", "Touring Huangshan Meet Snow" and "Songjie Ying Ying Ying" Accompanied, the peak increases danger and illusory hero","Hometown Journey"is the first work of the professionals to revisit the birthplace with tears, but not the home mountain for ten years", "Re-visit Guangxi Longsheng", "Half-built hanging-feet building by the hill, planted by the house with nameless fruit" and so on.

作品6

一九八六年春，深圳龙华酒楼公开征联，巫师传写的联句：“华构巍峨，高朋满座，评论英雄当煮酒；龙堂璀灿，豪客盈门，品尝珍异且登楼”脱颖而出，摘下桂冠。

二十一世纪第一春，应市委宣传部之约，为新春团拜会撰联，巫师传欣然命笔：“放歌走进新时代，携手迎来世纪春”。

二00三年冬，巫师传为大鹏观音山公园牌坊撰书的楹联“翠岫灵泉，龙岩圣迹融千境；菩提妙谛，法雨慈云泽四时”，把山色禅意与书法融为一体，字体苍茫遒劲，骨力雄奇，展现麦体融合魏碑的大家风范。

In the spring of 1986, Longhua Restaurant in Shenzhen was conscribed publicly, and a couplet written by a wizard said, "Huawei is a magnificent building with many high-ranking friends, commenting on heroes when they cook wine; Longtang is brilliant, with its luxurious guests filling the doors, tasting exotic and ascending the building." It stands out and takes off the laurel crown.

In the first spring of the 21st century, in response to the agreement of the Propaganda Department of the Municipal Committee, a couplet was written for the Spring Festival reunion. The wizard biographies happily wrote, "Let's sing into the new era and welcome the Spring of the Century hand in hand".

In the winter of 2003, the couplet "Cuixiu Lingquan, Dragon Rock Holy Place melts into a thousand realms; Bodhi essence, Fayu Ciyun Ze four seasons", written by the wizard for the archway of Dapeng Guanyin Mountain Park, integrates the mountain color Zen with calligraphy, and the font is vast and vigorous, and the bone strength is miraculous. It shows the style of everyone who integrates the wheat body with the Wei stele.

作品7

巫师传生于桔塱山下，自号吉塱山人，名其斋曰“吉庐”，数十载灯窗，巫师传与诗书为伴，与翰墨结缘。《吉庐诗联墨迹》一书所选皆为其自作诗联，足见其文学素养与书法艺术之相得益彰。他为人诚朴谦和，淡薄名利，嶙峋傲骨，不卑不亢，或访诗友于深山，或订雀盟于淡水；人品书品俱佳，书采文采兼备。其人生体验正如其诗所云：

莫道人间乐与悲，

荣枯得失任由之。

山川依旧我仍我，

世事如今谁怕谁?

研墨挥毫朝及暮，

品茶酌酒醉还痴。

尘埃尽涤明心镜，

正是书生惬意时。

“未失书生气，还多倔傲情”，黄君之评确矣！

The wizard was born under the orange hill. He was named Jirong Mountain man. His name was Jirong Mountain. He was called Jirong Mountain. He had been living in the lamp windows for dozens of years. The wizard's biography was accompanied by poems and books, and was related to calligraphy. Jilu's poem couplets and ink marks are all selected for their own poem couplets, which shows that their literary literacy and calligraphy art complement each other. He is honest and modest, lacking fame and wealth, rugged and arrogant, not humble, or visiting poetry friends in the mountains, or ordering sparrows in fresh water; he has excellent personality and Book collection. His life experience is just like what his poems say:

Modao's human happiness and sorrow,

Wins and losses are at their disposal.

The mountains and rivers are still me.

Who fears who in the world today?

Deepening ink in the morning and evening,

Tea tasting is drunk.

Dust clears the heart mirror.

It is the time when the scholar is happy.

Huang Jun's comment is "not lost in book life, but also stubborn and arrogant".

作品8

巫师传先生具有深厚的国学根底，有“南国诗翁”之美誉。其书法之精华凝聚于行草，行草书的主要特色表现于北碑与南帖之交融，以自己学养和性情贯之。少了霸气，多了书卷气：少了妩媚之态，多了雄劲之骨。

巫师传书法诸体皆擅，尤以行草见长。他的行草以王羲之、颜真卿为基础，又兼取宋人笔意和明、清行草的个性化元素，所作萧散俊逸、笔简意远。观巫师传的书法，其特色在于用笔。他高捉管、肘空悬，齐全身之力，以中锋入纸运行，时而转侧，中侧并重，质妍相生，高端执笔，可控辐面较大，使转也更为便利，给笔法的发挥带来了很大的空间，同时，由于视角较为开阔，也使得章法上更有全局感，少有失当之处。长锋的使用也是形成巫师传书法特色的关键所在。他的书法线条，肥不臃肿，瘦不露骨，顿挫跌宕，映带连绵，在很大程度上发挥了长锋的长处。

巫先生字法中多取奇绝，兼雄劲，苍险，在他的书作中大小错落，常见错位和变形，给人以意料之外之感，却尽在情理之中，这正是取法魏碑结体而独出心源之妙处。

Mr. Wizard Chuan has a deep foundation of Chinese traditional culture and a reputation of "Southern Poetry". The essence of calligraphy is concentrated in cursive grass. The main characteristics of cursive books are reflected in the blending of Bei Bei and Nan tie, with their own learning and temperament. Less domineering, more bookish: less charming state, more powerful bone.

Wizard handwriting is good at all kinds of calligraphy, especially in grass. On the basis of Wang Xizhi and Yan Zhenqing, as well as the personalized elements of Ming and Qing Xingcao in Song Dynasty, Xiao Xijunyi's works are simple and easy. The unique feature of the calligraphy of the Wizard's Biography lies in the use of pens. With his elbow hanging high and his whole body working hard, he runs in paper with the center, sometimes turning sideways, laying equal stress on the middle side, giving birth to good quality and high-end writing, with large controllable spokes, which makes the turning more convenient and brings great space to the play of brushwork. At the same time, because of the wider perspective, it also makes the rules more comprehensive and less inappropriate. The use of Changfeng is also the key to the formation of the characteristics of wizard handwriting. His calligraphy lines, fat and not bloated, thin and not bare, setbacks, continuous reflection, to a large extent, played the strengths of Changfeng.

Mr. Wu's calligraphy is extraordinary, ambitious and dangerous. His books are scattered in size, often misplaced and distorted, giving people an unexpected feeling, but full of reason. This is precisely the marvellous point of taking the Wei stele as a whole and coming out of one's own mind.

作品9

文学修养是书法家的字内功，文学修养又作用于书法创作，是相辅相成的。谁都不否认文学内容是书法作品的主要内容，诗词楹联是书法家常选的书写内容。诗词楹联的情感色彩，以至它的节奏旋律都应与书写的形式风格相吻合，因此书法家对诗词楹联的理解程度，乃至创作水平都是十分重要的。有许多书法家虽然书采四溢，但却略逊文采，他们只能抄录古今文人的名言警句，却不能撰写诗词联语。巫师传书采文采兼备，这方面他占有更大优势。他是当代著名诗人，先以诗名重于文坛，后又以书法瞩目于世。著名书法家颜世举先生对其评价“巫兄真草隶篆诸体皆能，尤擅行草。他书宗二王，用笔精熟，如锥划沙，不失宋人米襄阳的影子。他用墨大胆，酣畅淋漓，具有明末清初王觉斯之气息。他是一位德艺双馨的艺术家”。

Literary accomplishment is the inner merit of calligraphers. Literary accomplishment also acts on the creation of calligraphy and is complementary to each other. Nobody denies that literary content is the main content of calligraphy works, and couplets of poems and lyrics are often chosen by calligraphers. The emotional color and rhythm of couplets of poems and Ci-poetry should be consistent with the style of writing. Therefore, it is very important for calligraphers to understand the couplets of poems and ci-poetry, and even to create them. There are many calligraphers who can only copy the famous sayings and aphorisms of ancient and modern scholars, but can not write poems and conjunctions. Wizard's biography is full of both literary and literary materials, and he has a greater advantage in this respect. He is a well-known contemporary poet, first with the name of poetry over the literary world, and then with calligraphy attention to the world. Mr. Yan Shiju, a famous calligrapher, commented on it: "Brother Wu, Zhencao, Li Zhuan, is good at all kinds of physical abilities, especially grass. His Shuzong two kings, with a skillful pen, such as cone scratching sand, did not lose the shadow of Mi Xiangyang of the Song Dynasty. He used ink boldly and vividly, with the flavor of Wang Juezi in the late Ming and early Qing Dynasties. He is an artist with both virtue and art.