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“东方崛起 胡杨精神”——新时代艺术巨匠 张介宇

2019-07-15 10:16:45      来源:新众网

张介宇,1948年出生,现为北京胡杨礼赞书画院院长,胡杨艺术研究院院长,中央文史研究馆书画院研究员,中国美术家协会会员,文化部中国国际书画艺术研究会理事,北京大学兼职教授,岭南大师黎雄才入室弟子,人民大会堂金色大厅《胡杨礼赞》创作者。

Zhang Jieyu, born in 1948, is the president of Beijing Huyang Lizan Academy of Calligraphy and Painting, the president of Huyang Academy of Art, the researcher of the Academy of Calligraphy and Painting of the Central Museum of Literature and History, the member of the Chinese Artists Association, the director of the China International Calligraphy and Painting Research Association of the Ministry of Culture, a part-time professor of Peking University, Li Xiongcai, a disciple of Lingnan Master, and Author of Tang Golden Hall "Praise of Poplar Poplar".

人民大会堂金色大厅创作巨幅《胡杨礼赞》

2015年6月 350x1000cm

当我第一次看到张介宇先生的画作《胡杨礼赞》,内心为之一振。这幅展示在我眼前的长卷,是在新疆塔里木河流域周围空寂的荒漠地区大片胡杨树的生命状态,它们枝叶繁茂、欣欣向荣,它们凋零衰颓、不屈不挠,它们顽强再生、繁衍不息……凭看画的直觉,我意识到这不是一般意义上的大幅山水画,而是对有独特品格的胡杨树的礼赞,是借以表现一种生生不息精神的艺术力作。待我随着长卷的展开细细观赏,我最初的震撼之情并不消减,仍然沉浸在感动和敬佩之中,这既是为胡杨树顽强生命力而感佩,也为作者献身艺术,用绘画形式弘扬一种崇高精神的努力所折服。

When I first saw Mr. Zhang Jieyu's painting "Praise to the Poplar of Euphorbia Poplar", I was inspired. This long scroll in front of me is the life state of a large area of Populus euphratica in the desert area around the Tarim River Basin in Xinjiang. They are flourishing and flourishing, withered and decadent, indomitable, and stubborn to regenerate and proliferate. From the intuition of painting, I realized that this is not a large landscape painting in general sense, but a praise of Poplar Euphrates with unique character, which is an artistic masterpiece to express a kind of endless spirit. As I watched the long scroll, my initial feeling of shock did not diminish. I was still immersed in emotion and admiration. This is not only for the stubborn vitality of Populus euphratica, but also for the author's dedication to art and the efforts to promote a lofty spirit in the form of painting.

张介宇的艺术观念是在广收博采、集众家之长的基础上形成的,他酷爱传统写意文人画,谙熟笔墨之道;同时又对写实造型颇为赞赏,能体悟其精妙。在他看来,艺术传统有中西之分,技巧有写实写意之别,但彼此并非水火不能相容,为表现客观自然和抒发内心感受,将各种技法有机交融是行之有效的途径,关键是不失中国画的民族气派。基于这种认识,张介宇敬重岭南画派的艺术主张。坚持全面承继中国画的传统,强化写生,兼重笔墨情趣与自然造型。《胡杨礼赞》可以说是他在这一艺术方向上集大成的作品。

Zhang Jieyu's artistic conception is formed on the basis of extensive collection and collection of the strengths of various families. He is fond of traditional freehand brushwork and knows the way of brush and ink. At the same time, he appreciates realistic modeling and understands its subtlety. In his opinion, the art tradition is divided into Chinese and Western, and the techniques are different from realistic ones, but they are not incompatible with each other. In order to express the objective nature and inner feelings, it is an effective way to organically blend various techniques. The key is not to lose the national style of Chinese painting. Based on this understanding, Zhang Jieyu respects Lingnan School's artistic ideas. Adhere to the tradition of Chinese painting in an all-round way, strengthen sketching, and emphasize both the interest of brush and ink and natural modeling. "Praise of Poplar Hu" can be said to be his masterpiece in this artistic direction.

《大漠英雄》 95cmx177cm 2011年

出于崇敬和讴歌胡杨的目的,张介宇不顾自然环境的恶劣,不顾随时有被沙暴侵袭、掩没生命的危险,多次深入塔里木沙漠地区,亲身体验胡杨生长条件,感受胡杨的特性。当他有了“不到荒漠,不知胡杨之壮美,不见胡杨,不知生命之辉煌”的体会时,他描写胡杨的艺术构思已经开始孕育;而当他表达当时的心情:“胡杨不屈不挠的精神深深地震撼了我的灵魂,我为它不眠,为它忘食,将自己的生命与它千缠万绕地交织在一起,融化在一块。无数个晨晓夜昏,年复一年地似水流过,我与胡杨难解难分,同语共舞”时,他心中的胡杨画卷几乎是呼之欲出了。它们战胜恶劣环境顽强不屈的生命力。它们或盘根错节,或扩展枝干,或露出新叶,枯木逢春,显示生命之火的长久不息。胡杨使张介宇迷恋,这既由于他对胡杨树林在大自然中所显示出来的力和美的感性体验,以及这种感性体验的升华,将其视为生命意志,顽强搏斗与自我奉献精神的象征;还由于他对胡杨保护生态环境、维护绿色家园的作用的理性认识。正是这种感性体验和理性认识的结合,促使他产生崇高的艺术使命感和经久不衰的创作热情。

For the purpose of revering and eulogizing Populus euphratica, Zhang Jieyu went to Tarim Desert area many times to experience the growth conditions of Populus euphratica and the characteristics of Populus euphratica, regardless of the harsh natural environment and the danger of being attacked by sandstorms and hiding life at any time. When he had the experience of "no desert, no grandeur of Populus euphratica, no brilliance of life", his artistic conception of describing Populus euphratica had begun to conceive; and when he expressed his feelings at that time: "The indomitable spirit of Populus euphratica deeply shocked my soul, I forgot to eat for it, and I forgot to sleep for it. Life and it are intertwined and melted together. Countless mornings, dawns and dusks, year after year like water, I and Populus euphratica indissoluble, dance with the same language, "when his heart of Populus euphratica scroll is almost ready to come out. They overcome harsh environments with indomitable vitality. They are disjointed, or expand branches, or expose new leaves, withered trees in spring, showing the fire of life for a long time. Zhang Jieyu was fascinated by Populus euphratica because of his perceptual experience of strength and beauty in nature and the sublimation of this perceptual experience, which was regarded as a symbol of life will, tenacious struggle and self-dedication, and also because of his role in protecting ecological environment and maintaining green homeland of Populus euphratica. Rational understanding. It is this combination of perceptual experience and rational knowledge that prompts him to have a lofty sense of artistic mission and enduring enthusiasm for creation.

洪荒英雄

画家为了引导人们认识胡杨而采用了摄取造化精微为指归,趋于现实,高以目镜,极富传统创新意义的表现手法,将胡杨历经暴虐肆摧,百折不废,茂繁子孙,傲立荒漠,造福人类的形象刻画尽致。画面格局博大,图景壮丽,首尾贯通,极具撼魄。这幅划时代意义的画卷,源自于画家几十年的沉浸艺道、身心锤炼。他以谦虚低调、淡化金钱、去燥聚精的做人品格,以腕下过人的传统笔墨功夫,心灵上追求纯情艺术的精卫填海神力。张介宇嘱家人一切从简,除尽凡欲,倾心呕血,沉迷于胡杨。为它不眠,为它忘食,将自己的生命与胡杨千缠万绕地交织在一起。本是大洋一粟的凡人,却心怀坦荡,要担起唤醒社会之责任。

In order to guide people to know Populus euphratica, the painter uses the expression of intake, creation and subtlety, tending to reality, high eyeglasses, rich in traditional and innovative significance, to depict the image of Populus euphratica after the brutality, never give up, flourishing descendants, standing proudly in the desert, benefiting mankind. The picture pattern is broad, the picture is magnificent, the beginning and end run through, very shocking. This epoch-making picture scroll originated from the artist's decades of immersion in art, physical and mental tempering. With modesty and low-key, dilution of money, to be dry and concentrated, he reclaimed the sea with the spirit of pursuing pure art and traditional brush and ink. Zhang Jieyu told his family to simplify everything, to do everything except desire, to vomit blood, and to indulge in Populus euphratica. For its sleeplessness, for its forgetfulness of food, its own life and Populus euphratica are intertwined in a myriad of ways. This is a drop in the ocean, but open-minded, to shoulder the responsibility of awakening society.

张介宇在胡杨林写生

他敢为他人不敢为,敢画他人未想画的特点。也基于他难能可贵的人格、品味。当今社会不会用手机、不去逢场应酬,只知山路,迷茫街道,被称为“现代古人”,当属少数。然能耗费五年时光,创作出七十米胡杨巨作,也就不足为怪了。它是一曲弘扬中华民族精神的颂歌!艺术的巅峰无坦途,向着这个目标不为名利所动、不随波逐流,读书养生、甘于寂寞,则需要献出毕生的精力。我期待看到介宇在今后的艺途中愈进弥坚人艺俱老,亦如胡杨般焕发出璀璨的光华.

刘大为

2011年12月29日

He dared not to act for others, dared to draw characteristics that others did not want to draw. It is also based on his valuable personality and taste. In today's society, people do not use mobile phones or go to social gatherings. They only know mountain roads and confused streets. They are called "modern ancients" and belong to a minority. However, it is not surprising that the energy consumption took five years to create a masterpiece of 70-meter Poplar euphratica. It is an ode to carry forward the spirit of the Chinese nation! There is no smooth road to the peak of art. To achieve this goal, one should not be moved by fame and wealth or drift with the tide. To keep healthy by reading and to be willing to be lonely, one needs to devote all one's life to it. I look forward to seeing Jieyu grow stronger and stronger in the future artistic journey, as well as the brilliant glow of Populus euphratica.

Liu Dawei

29 December 2011

君能临绝顶看取日东升138cmx70cm 2007年

东方崛起 220cmx600cm 2007年

黄山夕照148cmx85cm 2002年

岭上人家70cmx138cm2012年

青霭入看无138cmx70cm2003年

万壑松云 500cm x 220cm 2003年

(中南海收藏悬挂)

红潮弄天138cmx70cm 1999年

洗涤万壑无千尘 144cm x 367cm 2004年

(人民大会堂收藏)

君能临绝顶看取日东升138cmx70cm 2007年

胡杨礼赞张仃题

 

 

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